вЂњViewsвЂќ, the title track, is not awesome but brings the glory suggested by вЂњKeep the Family CloseвЂќ back in to close the album with serene, hometown optimism and self assurance. ItвЂ™s stunningly well layered, nuanced, suffocatingly atmospheric, like being wrapped in merino wool Drake-blankets. 'Summers Interlude' is odd, something Berry Gordy would have left on the cutting room floor in 1982, before arguably the best track on the album. With вЂњToo GoodвЂќ comes the characteristically silky collaboration with Rihanna, the encounter smouldering rather than blistering with sexual tension, frissoned with the neat line вЂњI got as high as your expectationsвЂќ. вЂњPop StyleвЂќ gets heavy but not with the impact youвЂ™d hope for but, hey, itвЂ™s a long album. вЂњGrammysвЂќ featuring Future is not particularly challenging but fun and is sure to be a summer, top down choon, whilst вЂњChildвЂ™s PlayвЂќ features probably the realest lyric in the album for warring lovers - вЂњWhy you gotta fight with me at Cheesecake? You know I love to go there.вЂќ Real. Something, as itвЂ™s still not вЂњKnow YourselfвЂќ huge, but a serious beat and sinister overtones gear you up for the Caribbean segment in 'Controlla', which features the very Canadian Drake with his best Patois to accompany Beenie ManвЂ™s highly enthusiastic contribution, before going all out with the rumba hips in the really quite sexy вЂњOne DanceвЂќ. Things get even Drake-ier in the albums mellowest movement (and thatвЂ™s saying something) with вЂњRedemptionвЂќ, вЂњWith YouвЂќ and вЂњFaithfulвЂќ, before picking up ViewsвЂ™ biggest guns in вЂњStill HereвЂќ which is, oddly, something of a banger.

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